NSA and Tyranny From WHYlab’s Point of View
Dear Readers,
Rate the credence of the following as you wish. I happened upon them through my brief investigation of the NSA national news topic. I don’t read mainstream news with any regularity. When I do, I am highly skeptical; I mainly think about three things when I read or watch “mainstream” media. This is why my Google search results turned these up first for me when I researched the topic. [Why Google gives different results to different visitors]
One, who their audience is—this matters because this will dictate what articles they publish—typically they will publish anything they think their audience will share or be outraged or shocked by, hence $.
Two, who owns the newspaper—which matters because in the example of the New York Times, government officials were able to censor an article about the NSA and delay its publication for a whole year—because then we know who decides what will be published or not, regardless of truth. Three, how low on the psychological manipulation scale they’re going. When they post about Snowden’s “girlfriend” or whether or not his statements are true…that’s just bad journalism. You don’t ask the audience to do your fact-checking for you because then they just think the information is true (it’s being published).
Interview with Snowden <—Laura Poitras interview with Edward Snowden in Hong Kong {search Poitras on wiki and IMDB} I have met her in the Yes Men office, which she was renting to The Yes Men while she lived in Germany. Her co-worker Katie told me she is watched closely in the USA after her award winning films The Oath and My Country, My Country came out.
How NSA works <—This one could be bullshit, the guy seems a little buckwild. However, the way he explains how the NSA detects information seems to make sense (they keyword search and upon suspicion can go back in time to read anything you’ve sent).
Ai Weiwei comment on NSA leak <—“The US is behaving like China.” This one is written by a Chinese artist I HIGHLY respect. He fights against the tyranny of the Chinese dictatorship. He is beloved by many people there for a project he did on reporting about shoddy workmanship in school buildings that were ruined by mudslides in Szechuan. His international fame is all that keeps him safe. Though they once detained him without notice for six months on the grounds that he “misfiled taxes”.
I could be mistaken. Because I am skeptical of most mainstream media (as big money runs them) I trust the first two mainly because they are respectively a primary source and an independent secondary source. The third I trust because I trust the author in light of his political position in China. I’ve never met Ai Weiwei but according to me he is after truth and against forms of tyranny.
Sincerely,
Billy Halibut
Deep-Sea Garbage Caught on Video
“We’ve all heard about the problem of trash in the oceans and seen photos of the Pacific Garbage patch and other plastic “gyres,” which coat hundreds of thousands of square ocean miles with plastic flotsam.
But what happens to the heavy stuff?
New research from the Monterey Bay Aquarium Research Institute shows that trash is also accumulating in the deep sea, as much as two and a half miles beneath the ocean surface. And there’s video to prove it.”
Read more at KQED Science.
A Whole Lot of Rubbish
In this holiday season, many of us become particularly aware of the amount of products — whether toys or food — bought and then ultimately discarded. Could we significantly address global warming by simply not growing the 50% of food that ends up in the trash? Does garbage have a hidden subversive potential? Award-winning writer China Miéville discusses garbage, capitalism, and art. Critic and historian Tristram Stuart talks about food waste.
The second half gets really good. (at about 33:10) About the equality of trash, countries competing to become the cheapest dumping grounds, E-waste “recycling”, and much more. The first half is nice but not quite as relevant for howLAB. It’s about food waste in the developed and developing world, from farming, and transport to stores, and eventually trash.
Listen: http://www.againstthegrain.org/program/635/mon-121712-lot-rubbish
Re-Blog: http://chinamieville.net/post/485794999/clutter-glut
“The internet is ubiquitous, yet its detailed inner workings remain wrapped in mystery. We rely on a wide range of myths, metaphors and mental-models to describe and communicate the network’s abstract concepts and processes. Packets, viruses, worms, trojan horses, crawlers and cookies are all part of this imaginary bestiary of software. This new mythology is one of technological wonders, such as live streams and cloud storage, but also of traps, monsters and malware agents. Folk tales of technology, however abstract and metaphorical, serve as our references and guidelines when it comes to making decisions and protecting ourselves from attacks or dangers. Between educational props and memorabilia, this series of objects visualises and celebrates the abstract bestiary of the internet and acts as a tangible starting point to discuss our relationship to IT technology.”
Outside of time
“Using digital technology to release us from that clock” Bringing us back to kairos. “in sync with other people instead of an artifact (clock) or seasons”
http://www.againstthegrain.org/program/693/wed-41013-rise-presentism
When we master the head-stand, we conquer Time.
When we master the metaphor, we conquer Things.
When we master instant messaging, we assimilate with Time.
Time is a Thing constructed from language and culture and value on the artifact of physical metaphorical Time.
Computer technology is a technology that freezes Time and instead bases life on punctuated actions separated by stillness.
“Frozen in the Index of Time,” he sang. The sound reverberated through the annals and tunnels and funnels full of books and flipped over folders of pamphlets and papers. All could be accessed, dead matter catalogued and filed and archived in case someone should forget and need a reminder. Everything said will be one way or another„,recovered from its original place.
Put this shit on my tab.
Don’t feel like dealin with it now, I’ll deal with it later.
The ocean is our bathtub. So Florentijn Hofman put a giant toy in it for us to play with.
What’s In A Name? Audiosurf. Steam n00bs. Gatekeepers & Financial Equality for Makers. Internal death. Acid Mothers Temple. LISP. Unknown Mortal Orchestra. Jeremy Bailey.
Steam! What a glorious marketplace. Paying for games. Pantheon and I are latecomers to it, paying for games—Steam noobs. The reason is it feels good to pay for them through Valve’s Steam. They are the gatekeepers, but they plan their cut with generosity to those that make their business possible. (discussion of Valve’s cut here) Gatekeepers are the assemblers and the connectors; they must have honor and responsibility to the folks they assemble and connect. Examples of Greed in these situations: cable companies, ISPs, Oil companies…deskilling workers to empower management. Gatekeepers can dominate or decide to rule well. Grats to Valve!
Audiosurf is a game in which you can play songs. Any songs. You play them. I was introduced here to them by Pantheon & the Ark. Yea. But visualize your music—allow peeps to play it

“There’s no right way to play the game.”Python code: there’s one right way to program.
“Having INSULTED everyone he knows in some way, flinching with life abuse, he tries to be kind. Internal death begins—bodily & psychological. Internal Death is resisting antisocial tendencies. “Kill yourself if you don’t get what you want now! And don’t forget the gun.”
and now for something completely redolent
ACID MOTHERS TEMPLE
“Coming down from a flying saucer to bring you sounds from outer space like a Christmas tree shoots SNOW!SPACE is the PLACE!Welcome to Moes.When it comes to certain holla at your boy.Is that a truth universally acknowledged? [LISP Act II]Post-Dilla, the boolean said, “= True”.


Culture Shock 1913 Podcast
“No no, finished, that’s over, you cannot shock the public”
What a year was 1913! Many have called it the true beginning of 20th century culture. From New York, where the first large-scale show of modern art alarmed viewers, to Vienna and Paris, where music by Schoenberg and Stravinsky sparked audience riots —- it was a year of artistic upset and audience apoplexy! A hundred years later, WNYC’s Sara Fishko and guests tell the story of this Mad Modernist moment of sweeping change, and the ways in which it mirrors our own uncertain age.
How to Be At Home Anywhere, Change Your Programming
